Interdisciplinary Artist Alisha B. Wormsley Breaks Down Matriarchal Survival Strategies, Decolonizing Time And Her New Film
The artist Alisha B. Wormsley tells stories of reclamation and rematriation; stories of a resurgent Black matriarchy locked in eternal conflict with capitalism, white supremacy, and patriarchy; stories that function as both historical and futuristic, parable and fact.
The container for these stories – which seem to be forever expanding, accelerating, and spinning themselves into new forms, like the universe itself – is a physical and theoretical archive called the Children of NAN.
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